The girl's quest is to find her father (Eddie Marsan - Hancock (2008) ), who was disappeared by the secret police when she was a child. She teams up with the rebels, who have their own plans.
This was made in Russia. The only English-speaker is Eddie Marsan - everyone else seems to be a Russian-speaker who was over-dubbed in post-production. But this is not like the cheap Italian movies of the 1970s. The CGI SPFX are incredible, and the city's zepplin airships have an original design.
The guards allow a stroppy teenager to murder one of their own. Presumably they want to enslave the strongest mutants as warriors. However, the kids are then processed by an unarmed Doctor (Wallace Langham - ) who does not have any guards or other protection. The protagonist's power is to do the Jedi Mind Trick. At first it only affects people she touches, even through their clothing. Later she develops the power to use it at much longer range.
The President is Bradley Whitford ( Handmaid's Tale ). Most of the villains are creepy white men. In fact, villains of colour are not well represented.
The protagonist is helped by a friendly lady doctor ( Mandy Moore ). But does she have a secret agenda? The setup is the standard YA one. The kids have superpowers, and they cannot trust the adults.
Alien starships arrive and hover over the major cities, like in V: The Series . Then they start their attacks. The first wave is an EMP, which makes planes drop out of the sky like in Revolution . The second wave is more literal, a massive tsunami like in Deep Impact . The third wave is an outbreak of disease. The fourth wave is a bunch of hillbillies with hunting rifles.
Finally the US Army arrives on the scene, led by a Colonel (Liev Schreiber - Scream ) and Sergeant ( Maria Bello ). It turns out they are building an army of child soldiers to fight the Fifth Wave of the alien invasion. Anyone who has seen the film Oblivion will be a bit cynical about this whole series of events.
Naturally, when our hero discovers the dark side of his Utopia he rebels against the system. In this case the grown-ups are his Mother ( Katie Holmes ), Father (Alexander Saarsgard - True Blood ) and the community's Matriarch Meryl Streep .
It starts with a voice-over that delivers exposition. Earth has been conquered by aliens, who possess human bodies and can be told apart by their glowing eyes. So far, so Stargate .
One of the few human survivors, Melanie ( Saoirse Ronan ), is captured by The Seeker ( Diane Kruger ). An alien called The Wanderer is inserted into Melanie, and explores her memories in order to find clues as to where the human Resistance is hiding. We get lots of flashbacks on her personal backstory, which is a lot more informative than the simple voiceover exposition that summarised the enslavement of the entire human species.
Melanie survives as a voice in the Wanderer's head, and talks her into escaping from the aliens. Melanie and Wanderer, now a team named Wanda, make their way to the Resistance hideout. It is deep in the desert, like in Airwolf. Jeb (William Hurt - ) and Maggie ( Frances Fisher ) reluctantly allow her to stay, but Kyle (Boyd Holbrook - Logan (2017) ) wants to kill her to be on the safe side.
Wanda has two personalities, and now she has two love interests. Yes, the ultimate Young Adult trope - the love triangle - rears its ugly head here. Well, that is what made Stephanie Meyer rich and famous.
Melanie's younger brother injures himself. Although the humans have been experimenting in surgery that can remove an alien from a human body, for some incredible yet unexplained reason they have no technology that can handle tetanus. Luckily, Wanda can go into the alien-occupied city and steal a Star Trek type hypo-spray.
The Seeker is obsessed with tracking down Wanda. However, this plotline is quickly resolved. The real focus is on the love triangle.
There is also a final sequence, not actually post-credits but the next best thing, introducing Nate (Bokeem Woodbine - ). Presumably this was a setup for a potential sequel, which was never made. The story itself is self-contained, but there is still room for new stories to be told.
Our heroes are hunted by the Trench Coat Mafia - they have tattoos, they are the least subtle villains since Charmed . Their leader is Joshua from Dark Angel ! Speaking of that show, there is also a mysterious Buffy-lookalike, Faith-acting motorbike chick ( Eliza Taylor ) ...
The result is predictable enough. But if you know what to expect, you have no right to complain.
The teenagers are all Internet obsessives - a narcissistic influencer, a bullying troll and so on. Haven isolates and traps them, then uses VR simulations to mentally torture them by making them re-live their worst fears and memories.
This is a generic setup for a horror movie. However, the YA nature of the story makes it all fall a bit flat. There is no sex, violence or swearing ...
Tom Natsworthy (Robert Sheehan - Misfits ) works for Thaddeus Valentine (Hugo Weaving - The Matrix ), who works for Magnus Crome (Patrick Malahide - The World Is Not Enough ) - the leader of the city of London. Since the cities have become mobile, predatory entities that hunt each other down, this makes Crome and Valentine very powerful. When someone tries to assassinate Valentine, Tom finds himself emeshed in an adventure.
This is typical YA fare, combining a post-apocalyptic world with an extreme concept that the tweenage protagonists must rebel against. There were more books in the series, but this film was not successful enough to warrant a sequel.
The film's visuals are very impressive, so it is the writing that is lacking. After all, a lot of stuff had to be left out in order to squeeze this into a single movie. The world-building is basic but unexplained. If London has a population of a hundred thousand, and an average of five tons per citizen, then each of the city's eight caterpillar tracks is carrying sixty-four thousand tons. The amount of energy necessary to move that much weight is unbelievable.
The other main problem with the story is the stakes. It is set in a world where the miving cities are in the West, chasing each other around what was once Europe. Their society is based on municipal darwinism, but since they are fighting over limited resources the outcome will be monopolisation and starvation. In the East, behind a massive wall, the Asian societies have massive tracts of fertile land and an excessive amount of resources. Is it fair that the East should hoard its excess, instead of trading with the Westerners - some of whom are now resorting to cannibalism? It seems the Easterners simply want to starve the West. Since the audience has no reason to empathise with the East, the so-called villains of London seem quite sympathetic.
Sixteen years later, the kid has grown up to be Asa Butterfield ( Ender's Game ). He has a girlfriend - Britt Robertson , who is thirteen going on thirty. They chat by skype, although there should be a nine minute lag due to the massive distance between the two parties. Then finally they get the chance to meet, when the Martian comes to visit NASA HQ on Earth.
The Martian's foster-mother ( Carla Gugino ) teams up with her obsessive millionaire boss to find the boy.
We flash forward a few decades. A young woman ( Britt Robertson ), a teenager played by a twenty-something, who wants to save the world. She gets selected by the same recruiter who chose the boy. Unfortunately, in the intervening decades things have changed. Some human-looking killer androids are after the recruiter and the people she chooses.
The young woman needs an ally, so she tracks down the boy - well, his older self (George Clooney - Ocean's Eleven ).
The protagonist and her friends get help from a trio of magical women - Mrs Wotsit ( Reese Witherspoon ), Mrs Who ( Mindy Kaling ) and Mrs Oprah ( Oprah Winfrey ).
The children magically travel through weird landscapes. Their mission is to save the universe from The Darkness, which is slowly consuming everything. If this sounds familiar, that is because it was the plot of Neverending Story 2 .
The problem is that there is no central villain. While there is a minor sense of threat and urgency, this is basically just a drama with only internal conflict.
The setting is original but the storyline is quite basic. Our protagonist must make allies, explore the maze and eventually save everyone. It is adapted from a Young Adult novel, so it is not overly complicated. However, it is well-made and the style makes up for the substance. All in all, quite a watchable effort.
Thomas (Dylan O'Brien - American Assassin ), Newt (Thomas Brody-Sangster - Game Of Thrones ), and the rest of our teenage heroes find themselves guests in a bunker where they are checked out by medical personnel. But does the boss (Aiden Gillen - Game of Thrones ) have their best intentions at heart? Or is this like in The 100: Season 2 ?
Our heroes make their way across the desert, AKA the Scorch of the title. It does not live up to its reputation, as it is not the thing that actually inflicts damage on their group. No, what puts them in danger is their tendency to REPEATEDLY wander around in dark creepy ruins where the Fast Zombies are lurking! Also note, when wandering in the desert everyone seems to use camp-fires that can be seen many miles away. And they assume that the villains will be unable to track them down!
Our heroes meet Giancarlo Esposito (an untrustworthy renegade who is a more ragged-looking version of his character in Revolution ) and Alan Tudyk (not at all like his character in Firefly ). Can they find Sanctuary, like in Logan’s Run ? Will the rebel leaders ( Lilli Taylor and Barry Pepper - Battleground Earth ) shelter them? And since the villains use helicopters as their main assault vehicle, do the rebels have lookouts and Anti-Aircraft weapons at the ready?
Thomas (Dylan O'Brien - American Assassin ), Newt (Thomas Brody-Sangster - Game Of Thrones ) and the teenage heroes of the series try to rescue their still-imprisoned friend. To do this, they must hijack a train guarded by a SWAT team. The kids have a couple of token adults to help them - Giancarlo Esposito ( Revolution ) and Barry Pepper ( Battleground Earth ).
The boss (Aiden Gillen - Game of Thrones ) is still after the teenagers. They are valuable because they are subjects in an experiment to find a cure to the virus that has destroyed most of the human race. Infected people, basically Fast Zombies, roam the wastelands. The survivors are few and far between.
The teens have to penetrate the villains' inner sanctum. It is a walled citadel, inside the fabled Last City. Yes, one city of humans has actually managed to survive thus far. The outskirts are a typical Mad Max shanty town ruled by Walton Goggins ( Predators ). He will help them infiltrate the inner city, where all the rich people still live comfortable middle-class lives. But only if the kids help him destroy the urban utopia!
Thomas discovers his love interest ( Kaya Scodelario ) has converted to the cause of the so-called villains. They are the only ones who can get a cure for the zombie-itis. Okay, they are only doing it so they can be powerful and rule the world. However, since they already have most of the guns and the food we can safely say that they already control as much as they need to.
At its heart, this movie is basically action-adventure. The climax is a CGI-intensive explosion-fest.
Since the story is basically one of teenage anarchists rebelling against the tyrannical authority of adults, there can be no good ending. They live in a Fast Zombie apocalypse. The best outcome they can expect is the one at the end of Planet Terror .
Our heroine is Tris ( Shailene Woodbury ), raised as a public servant, chooses Dauntless. She does not have the physical fitness necessary, and the necessary character traits are not established so it all seems out of character. I mean, Katniss in Hunger Games was established as a bow-hunter, but this girl is never shown as having an interest in free-running.
There is another problem with her leaving her home Faction. You can choose a new Faction, but they do not have to choose you. The bottom 35% of testees are dropped, and since they cannot return home they become Factionless. They will be excluded from citizenship and all the creature comforts, but are still allowed to live in the city (as homeless scroungers in cardboard boxes). Now, this means that there are three times as many of them than of any single faction! That said, there are always the suicides and the selective murders.
Kate Winslet , leader of the snobs, decides to launch a Coup D'Etat against the city leader, the head of the Public Servants - Ray Stevenson ( Punisher: War Zone ). His associates, including Katniss' mother ( Ashley Judd ) are all marked for death. Can Katniss and her friends save the day?
The story has an open ending, because there are two more books in the series. Like Captain America 2 (which was released at the same time) it is PG-13, so the action is CGI violence - there are no realistic injuries. Of course, this effort has a much more simplistic plot, but that is really where the differences end.
The English BF discovers that his mother ( Naomi Watts ) has disguised herself by becoming a brunette and looking ten years younger. She faked her death, and is now the secret leader of the Casteless Untouchables. She plans a violent rebellion against the ruling clique, so she is the perfect ally. However, her son (who has had minimal contact with her for over a decade) condemns her as completely untrustworthy. How can he be so certain? And more importantly, is he correct?
The teenage heroes must infiltrate the villains' HQ and overthrow the evil regime. No surprises there.
The English BF's mother Evelyn ( Naomi Watts ) has her own agenda. She kills anyone who does not do what she says. She starts with Kate Winslet's followers, but then goes on to kill Joan's followers as well.
Tris ( Shailene Woodbury ), her English BF and her brother make a break for freedom. Miles Teller ( Fastastic Four ) tags along, despite having double-crossed Tris (and been forgiven by her) in both the previous two movies. They discover a utopia ruled by ... However, Tris is paranoid about things that are too good to be true. After all, we all know how Mount Weather turned out in The 100: Season 2 .
The villains plan to release a gas that gives everyone in Chicago a memory wipe. The heroes act as if it is a terrible idea, but it is a non-lethal weapon that will stop the war and prevent any further killing.
Our hero is Crusading Journalist Stieg Larson - oops, I mean Mikhail von Blumberg - who looks like International sex symbol James Bond (Daniel Craig - Casino Royale ). He is in trouble for harassing and slandering a businessman who is supposed to have helped finance the Croatian Militias in the defence of their families during the Serbian genocide of the 1990s. Wow, no political point-scoring here.
The title character is Lizbo Salamander ( Rooney Mara ) , who has single-handedly invented the Goth-chick look. Wow, how original! She is a ward of the state - ooh, poor victim. Wait a minute, she is a violent sociopath with multiple convictions for violent felonies. If this story had been re-set in the USA, rather than having English-speaking actors pretending to be Swedish, she would be just another ex-convict being hassled by her Parole Officer. Instead we are meant to side with her against the corrupt socialist institutions that the author Larson himself champions!
The protagonists are hired to investigate a missing persons case. They stumble across a serial killer - more of a Ted Bundy than a John Wayne Gacy, so it is Fem-Jep instead of gay-bashing. The implication is that this is linked to Nazis and anti-Semitism. In reality, Sweden was one of the LEAST fascist European countries in the 1940s - despite having pro-Nazi dictatorships for all their neighbours, and the spectre of invasion by Stalinist Russia, the Swedes remained staunchly neutral (and thus saved thousands of civilians from the Holocaust). Also, not all Nazis were anti-Semitic (and vice versa). But Larson, ever keen to make political attacks on people he disagrees with, ignores the facts.
The morals of the story? Freedom of speech is vital, unless you disagree with Stieg Larson's opinions. Big business is corrupt and should be shut down - by an equally corrupt Socialist regime. Rape is horrible and should not be glamourised or exploited - except in stories like this. All in all, self-righteous hypocritical crap.
A Female Supremacist ( Buffy meets Romper Stomper) named Lizbo Salamander ( Noomi Rapace ) takes on the organised sex trade. This is hypocritical, since she pays for lesbian sex herself. A pity that Emma Watson did not get the role for the US remake, because the film would be a great hit if it had Hermione Granger going down on another woman!
This was written by a journalist with his own political agenda to push, and it shows. His hypocrisy is dreadful. In the book he states that a woman merely experiments with bondage, while he accuses a man who does the same of acting out sick rape fantasies.
While Lizbo Salamander is hospitalised after her family reunion in the previous film, the story mostly falls to the author's surrogate - a left-wing journalist with a self-richeous agenda. In the first movie, the villains were Ustasche, a Croatian militia whose only crime was to protect their people from genocide by the Chetniks. Now, the new villains are Swedish civil servants who protected their country from genocidal Stalinists during the Cold War. Yes, the person who write this has got their moral compass the wrong way round!
The climax is a courtroom drama, which sees Lizbo face off against her former psychiatrist. Luckily for her, she is not being tried by a jury of average citizens. Instead it is a panel of frumpy feminists, so her lawyer's tactic of throwing a pity-party seems to work. This series relies on the old canard of the Establishment is against Women, but it is clearly run by Feminists for the benefit of Feminists. While Salamander and the lefties claim to be against the Swedish Establishment, they are as deluded and hypocritical as Nigel Farage when he claims to have fought against the English Establishment.
Lizbo Salamander ( Claire Foy ) may be the richest woman in the world, but she still lives the life of a down-and-out. Somehow she is a wanted criminal, despite having the ability to scrub her own records. She spends her time indulging her sadistic hobby of beating up and robbing rich men. Well, she is really stealing from their wives.
One piece of work-for-hire she accepts is from a computer programmer named Baldur (Stephen Merchant - Logan (2017) ). He took a job from the American NSA, to create an ultimate code-breaker that can access nuclear weapons codes. Now he wants her to steal his work back, although he has no intention of returning the salary he was paid to create it.
Lizbo does the necessary, and hacks the NSA mainframe. Now she is the only person with a copy of the most important program in the world. Of course, she thus brings down hell upon herself. Not just from the NSA, who only have a singleAgent to go after her. No, there is a murder-squad with military-grade weapons as well. They also go after Baldur and his autistic son (Martin from Gotham .
In the second book of the original trilogy, Lizbo took out her father's organised crime network. It was all a bit small-scale and seedy. Now, however, it has been re-activated. Lisbo's albino sister is now in charge. yes, there has been a massive embellishment to her original backstory. Worse, the sister has a massive blond henchman - like a cut-price version of her own brother. Their base is a remote mountainside fortress, more like something from a James Bond movie than anything in the original series. Luckily the walls are made of wood, which comes in useful when it is dramatically appropriate.
Lizbo also berates her journalist ex-lover, because he wants to write stories about her. She ignores the fact these stories will clear her name and help bring villains to justice.
Katniss ( Jennifer Lawrence ) lives in poverty, in a rural district where food is scarce. This is in contrast to the country's Capital, which is Nouveau Georgian in style - all powdered wigs and face-paint (and that is just the men)! Capital controls the districts through their food supply; So where is the food actually created if not in the rural districts?
Our heroine volunteers for the Hunger Games in her sister's place. She gets trained (supposedly) by Effie ( Elizabeth Banks ) and Haymitch (Woody Harrelson - Natural Born Killers ).
The Great Dictator (Canadian actor Donald Sutherland - Don't look Now ) and his minions - Wes Bently ( Underworld 3 ), Stanley Tucci ( The Core ) and Toby Jones ( Your Highness ) can manipulate the games. The Dome is fitted with hard-light hologram projectors that can create a forest-fire or a horde of man-eating hounds. Unfortunately, despite this massive Holodeck (a dome several miles in diameter) they cannot be bothered to build food replicators to feed the starving. Yes, they may have circuses but not bread.
The result is a mediocre effort. The cast is incredible, but that is because there was a huge budget. The problem is that the action scenes, the real core of the film, are ruined by shaky-cam.
We get to meet some of the other survivors of previous games. Some of them are potential allies, while others may become arch-rivals. Johanna ( Jenna Malone ) is near breaking point. Jeffrey Wright ( Casino Royale ) is a brainiac. Haymitch (Woody Harrelson - Natural Born Killers ) is still around to give Katniss advice. His scene at the end sets up the next film.
It is nice to see action scenes that are not ruined by shaky-cam. Also, as Big Government cracks down on the rural poor we get a lot more of the political background to the series. The first movie was about survival, while this is more about resistance.
Katniss spends most of the film in an underground bunker. There is a single action scene she is part of, where she uses a single arrow to shoot down TWO enemy fighter-bombers. Apart from that, the film relies mainly on suspense and tension as she watches other people take all the risks. As a result, some viewers feel that splitting the book was a mistake - presumably most of the action-adventure stuff happens in the second half. Some people regard this as being too thought-provoking and not explosive enough.
District 13 have been stockpiling weapons, although these are presumably out-of-date compared to the Capital’s next-generation weaponry. However, the tactics employed by both sides seem unusually wasteful of manpower.
The Capital is a massive mega-city with a holodeck several miles in diameter. This is powered by a hydro-electric power plant similar to the Hoover Dam. So what on earth do they need ten thousand hillbillies to mine coal for? And for every ten miners there are five guards to act as slave-drivers. This is a terrible waste of resources!
District 13 has weaponry and trained soldiers, but they do not distribute them to the local Resistance movements like the SOE did in World War Two. Instead they rely on the revolting peasants to use human wave tactics, losing so many civilians that the villains run out of ammunition. So is District 13 any better than the Capital in terms of wasting human life?
The Presidential Dictator (Canadian actor Donald Sutherland - Don't look Now ) uses his minion Robert Knepper (Prison Break) as a scapegoat for military failures. Then he gets the games-makers to weaponise their forcefield technology. Instead of repairing the mile-wide holodeck they create hundreds of replicators that function as boobytraps, creating deadly flame or oil to kill the approaching rebels.
Katniss also has personal problems. Both her love interests are included in the propaganda team. Peeta (Josh Hutcherson - Bridge to Terabithia ) has been brainwashed by the villains, and Gaela (Chris Hemsworth - Expendables 2 ) is now too deeply integrated with the District 13 mindset for comfort.
The gamesmaster, Philip Seymour Hoffman ( Mission Impossible 3 ) is missing from a couple of key scenes because the actor died during production. His loss is keenly felt, even though the film papers over his absence.
Lara recruits an untrustworthy ex-lover, Terry Sheridan (Gerard Butler - Dracula 2001 ), as a guide - he knows many of the players too. However, she tends to ignore his advice. He wants to take the slow way into China, whereas she has a high-tech alternative already lined up. If she does not listen to him or even trust him, why does she bother to bring him along?
Evil billionaire Mr Rice (Ciaran Hinds - Ghost Rider 2 ) is after the artefact, knowning it will lead him to Pandora's Box. The box contains a deadly disease, which is why Alexander the Great had it hidden in a magic cave guarded by supernatural monsters. Rice wants to sell it to the highest bidder as a bio-weapon, like the villain of Mission Impossible 2 . Naturally this would end in a Zombie Apocalypse, but Rice does not seem to care. He has forgotten the saying there are no pockets in a shroud.
In modern times, many Hollywood blockbusters are filmed in China for financial reasons - to secure a spot in the Chinese market. This film, released in the year 2003, evidently got its funding from product placement. The Chinese setting seems purely because it is glamourous and exotic. At least there is some nice cinematography, courtesy of director Jan De Bont .
Lara Croft ( Alicia Vikander ) refuses to acknowledge that she is an orphan, and instead leaves the family fortune in the hands of her step-mother ( Kristin Scott Thomas ) and her lawyer (Derek Jacobi - Dead Again ). The orphan earns a living as a bike messenger, like in Dark Angel (1999) , and practices extreme sports to keep herself busy.
Lara's father (Dominic West - John Carter ) has been missing for seven years, so rather than just declare him dead in absentia she goes off to find him. She ends up on an island that is basically Lian Yu from the Arrow TV show, which is run by rent-a-villain Walton Goggins ( Django Unchained ). He manages a slave labour camp, which has spent seven years trying to dig into an ancient tomb.
Lara quickly develops a taste for killing, and wipes out a lot of hard-working guards. The McGuffin is an ancient bacterium that can be weaponised, a bit like the one in Cradle of Life . This could potentially destroy all life on Earth, unless someone could whip up an antidote in time.
The somewhat cheesy and predictable ending is setup for a sequel.
A butch-looking female warrior ( Charlize Theron ) drives off with the dictator’s harem - Zoe Kravitz and a gang of Australia’s next top supermodels. The Dictator leads his warboys in pursuit, including Hoult and Mad Max. This leads on to a massive two-hour car chase …
This is not a spin-off movie by a director-for-hire. George A Marshall is the director of the other films in the series, and this effort continues to showcase his incredible visual style. The extensive chase scenes from the previous two films ( MM2: Road Warrior, MM3: Beyond Thunderdome ) are expanded to encompass almost the entire film. There is relatively little dialogue, with exposition delivered visually.
In an alternate universe, NATO has collapsed and the USA stands alone. Suddenly, the USA is invaded from all sides. Patrick Swayze ( Steel Dawn ) teams up with other tweenagers, including Lea Thompson and Jennifer Grey . Of note, Swayze and Grey later teamed up together for Dirty Dancing.
Swayze hangs out in the desert, meditating while doing a handstand. The place does not just look like Tattooine, it is also full of Sandpeople. They are armed with gaffi sticks, and have their heads swathed in bandages. Unfortunately for the Tusken Raiders, Swayze is a martial arts expert with his own sword.
Swayze and his mentor are ambushed by the villain's brutal henchman and his minions. Even the casting is cliched. The mentor is a Japanese Samurai, while the antagonist is an Englishman. The incidental music is OTT, and gives the film a strangely dated feel.
Swayze moves on, across a desert filled with stranded ships. Lots of great helicopter footage to set the scene. Eventually he arrives at a moisture farm run by Lisa Niemi and guarded by Brion James ( Enemy Mine ).
Unfortunately our hero finds himself in the classic Western movie scenario, as the entire genre seems to owe a lot to the real-life Johnson County Range War. The small farmers are being oppressed by their powerful neighbour, Damnil (Anthony Zerbe - License To Kill ), and his band of hired thugs. One of them is Arnold Vosloo ( The Mummy (1999) ), which marks this out as made-in-South Africa. The plot itself devolves into Shane.
Basically, this movie has about the same amount of diversity as The Breakfast Club. In fact, that is unfair to the John Hughes movie. Breakfast Club has diversity of archetypes, but it also has diversity WITHIN the archetypes too. The whole message of the film is that nobody is JUST a geek, a jock, a nerd, a princess or even a teacher. However, three decades later it would be decried as just a bunch of rich white folk.
The kids actually make it home from their camping trip unscathed. This is probably the first time ever in a movie. However, they discover they have wandered into a rehash of Red Dawn (1984) . Except their country is Australia and the invaders are
The invaders' countries are not identified by name. However, the kids listen to a radio broadcast that claims they have invaded because their countries are poor and they need Australia's vast natural resources. Unfortunately the part about poverty cannot actually be true. After all, the soldiers have brand new body armour and their air cover outnumbers the locals by three to one. Also, it is lucky that there is a token Chinese teenager in the group because the invaders appear to be from an oriental country.
The story needs a climactic third act. Luckily, the small town is right next to a strategic road-bridge that the invaders need to keep their main supply route operating. The teenagers manage to outsmart the trained soldiers protecting it. However, will the Christian one manage to get character development and overcome her pacifist beliefs when the plot demands it?
The script is mostly the same as the original, but the execution is flawed. It lacks the epic feel that John Milius delivered, and there is no moral ambiguity. Instead, the protagonists are flawless and virtually unkillable most of the time. For example, they develop their skills though makeshift training rather than on-the-job learning. No matter how stupid the insurgents' actions are, the heavily-armed and armoured North Korean Marines are easy victims.