CIA exfiltration specialist Ben Affleck ( Daredevil ) and Hollywood insider John Goodman ( Evan Almighty ) create a fake scifi movie, glamourising the Iranian Revolution, and propose to scout for locations in Tehran. The escapees will join the film scouts, using fake Canadian identities, and slip out of the country unnoticed.
This is a drama - the thriller aspects have been amped up a bit to make it artificially exciting. The writers have added lots of last-second escapes and other cliches of the thriller genre. In fact, its non-violent problem-solving makes it a diametric opposite of Zero Dark Thirty, its rival for the Oscars which deals with the same theme (America's real-life relationship with the Islamic world).
All in all, it seems like a whitewash of the Carter Administration's mis-management of the situation. Operation Eagle Claw is never mentioned by name, although it is alluded to. And the political nature of its Oscar win (Best Film) is illustrated by the fact that Ben Affleck was never even nominated for the Best Director award!
Fearless girl reporter Erin Karplunk meets a teenage hacker in the hope he can introduce her to a conspiracy of Hacktivists.
The Hacktivists believe that The Singularity has occurred. This involves the appearance of a self-created Artificial Intelligence on the Internet. Unfortunately, the AI has the Modus Operandi of Skynet in the Terminator series.
The US military's top brass include such distinguished TV actors as Blu Mankuma ( Robocop: The Series ), Matt Frewer ( Max Headroom ) and Gil Bellows ( Shawshank Redemption ). But there are all flummoxed, as the plot demands.
The computer tech is very up-to-date, which means it will all date very quickly. The visuals are quite good - the computer chat uses an on-screen texting display like the one used in Cherrybomb. This is mixed in with satellite footage, to add a 24 type feel. The result is the kind of surveillance society that Will Smith faced back in Enemy of the State (1999) ...
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The amateurs go on the run, and hide out off the grid with Seth Green ( Buffy ). Seth is actually quite grown-up now, with a beard and a stack of automatic weapons. Unfortunately he thinks he can take on a SWAT team single-handed.
The NSA run out of ideas in dealing with the Singularity. The Chairman of the Joint Chiefs (Blu Mankuma) wants to destroy every networked server it might be using. He decides to unilaterally detonate thermo-nuclear warheads over every city on Earth. Not only will this reduce the human race to the Steam Age, but the PRC's response will reduce everyone to the Stone Age!
Ex-spies are imprisoned in The Colony run by Paul Freeman ( Raiders of the Lost Ark ). Van Damme must escape this inescapable prison - a reference to the 1960s TV show The Prisoner . Then he teams up with Dennis Rodman.
The climax is an OTT grudge match, with real-life boxer Rourke against kickboxer Van Damme.
The building is controlled by the drug-dealing Ma-Ma Clan, run by a scar-faced Lena Headey . This is an original character, but she fits in so well she could easily have featured in the comics.
The plot is simple enough. It is the same as The Raid, which was an Indonesian rip-off of The Rock. Our protagonists enter a building controlled by heavily-armed villains. They have to fight their way towards a climactic confrontation with the arch-villain.
What makes the film work is its style. It was made in 3-D, and this works really well in the scenes where characters use a drug named Slo-Mo. All in all, this corrects all the mistakes made in the Sylvester Stallone Judge Dredd movie.
Gerard Butler ( Dracula 2001 ) is the protagonist, the finest warrior in the games so far. Dexter wants him dead, so he sends Terry Crews ( The Expendables ) to kill him. Luckily, a group of Resistance fighters have worked out how to cable-hack the broadcasts - like Eyes Only in Dark Angel .
Yes, the show is basically an updated version of Running Man . But this falls flat compared to the Schwarzenegger version. If nothing else, the mixture of shaky-cam and the frenzied high-speed editing makes it almost unwatchable.
Amber Valetta is Butler's wife, who is an Avatar in a less violent (but sexually exploitative) version of the game. Other familiar faces can also be spotted - Sam Witwer ( Smallville: S9 ) as a shrink and Milo Ventrigliari ( Heroes ) as a TV show presenter.
By sheer chance, Justin gets a treasure-trove of time-money. He tries leading the rich life, and encounters slimy billionaire Mr Weis (Vincent Karthusier - Angel ) and his daughter ( Amanda Seyfried ).
Justin and Amanda go on a Bonnie and Clyde crime spree together, falling foul of Police detective Cillian Murphy ( Batman Begins, Sunshine ) who prances around in a stylish leather trench-coat and 1970s pursuit car. Yes, in the future everything will be inexplicably Retro.
The result is a luke-warm crime thriller sent in an unconvincing future that is a metaphor for the vicious US capitalist system.
Cruise massacres a horde of CIA goons in order to protect the McGuffin, in this case a battery that acts as an eternal power source. This is to prevent it falling into the hands of a Spanish arms dealer. This ignores the fact that Spain is a NATO country, and thus the USA would be able to buy the battery back at a reasonable price.
Like Snake Plissken in Escape from New York , Snow is sent in as a one-man rescue team. Pearce acquits himself well in the role, which would be better suited to an established action star like Vin Diesel. Grace is a feisty heroine, and they make the standard bickering pair (as in Romancing The Stone ). They can even bluff their way through the convicts, an entirely Caucasian bunch - despite being set in a US prison, it was filmed in Europe so the ethnic mix is off. The token ethnic person in the cast is Snow's CIA buddy Lenny James ( Jericho, The Walking Dead ).
This was based on an Original Idea by Luc Besson . No doubt he had it while watching a marathon of 1980s action films.
The story follows the Rocky mould - No real surprises, it is all predictable enough. Evangeline Lilly is Jackman’s sort-of-love-interest - it is very family-friendly.
Our hero has to evade the Marauders, led by Kate Vernon . He teams up with Gordon Kennedy ( Robin Hood (2006) ) and his nephew, the poor white trash version of the Magic Negro cliche. Yes, despite lacking skills or weapons they let their hillbilly charm guide them to inexplicable success.
They end up facing off against Gareth David Lloyd ( Torchwood ) in one of his youngest-looking and most uninspired performances.
This is set in a world where people can back their memories onto a hard drive, and if they are murdered their body can be rebooted. Yes, death has been rendered redundant. However, a terrorist organisation opposes this change and goes around deleting peoples' backups.
A scientist who works for the backup company is killed, apparently assassinated by the terrorists.
OCP has a new, unnamed Chairman (Rip Torn - Beastmaster ). He is selling up to a Japanese megacorp, so he needs to complete the construction of Delta City. This require slum clearances, so he hires a private security team to reinforce the local cops. They make up the main villains, filling the role of Boddicker and his goons in the first film.
Robocop decides to go renegade, teaming up with the homeless people led by CCH Pounder. This is all a bit reminiscent of They Live! , even if it does not make sense in-universe. With Lewis written out, Robocop's female helper is his doctor - Marie Lazarus ( Jill Hennessy ). However, the movie's main character - the first one introduced, and one who is in almost every scene - is a young girl who is rendered homeless by the clearances.
The original used excess to underline its parody, for example the news broadcasters' cheerfulness despite whatever terrible events they were talking about. In this version, however, we get to see the news anchor picking his nose. So much for subtlety.
This is based on a novel by Stephen King . It works well as a satire on the US TV system - unlike the more recent versions, such as the more shallow Hunger Games .
The plot is a standard pseudo-noir whodunnit/conspiracy thriller. Police Detective Bruce Willis investigates a murder, and uncovers a conspiracy. Somehow, someone can kill people by killing their android! Suspects include the inventor of the Avatar androids (James Cromwell - Star Trek: First Contact ) and his opponent, the neo-Luddite Ving Rhames ( Death Race 2 ).
The concept of Avatar Androids falls flat, and as a mystery thriller this is unoriginal. For example, it is nowhere near as good as Will Smith's somewhat similar I, Robot .
James McAvoy ( X-Men: First Class ) lives a boring humdrum life - like Neo in The Matrix or Ed Norton in Fight Club . Then he meets beautiful hit-woman Fox ( Angelina Jolie , looking scarily thin compared to her healthier Lara Croft days). She recruits him into a fraternity of assassins run by Sloan (Morgan Freeman - Oblivion ). The assassins' targets are designated by a magical loom, which functions like The Machine in Person Of Interest .
The Cyborg of the title is a woman whose surgically upgraded brain holds data that will help scientists create a cure to The Plague. Unfortunately the villain (Vincent Klynn - ) and his crew of Land Pirates captures the woman. He plans to take her to Atlanta, Georgia, where the CDC scientists will pay a ransom for her.
The hero (Jean Claude Van Damme - Hard Target ) plans to intercept the villains before they reach Charleston, Virgina. He teams up with a young woman who survived an attack by the Pirates, and they take a shortcut overland while the villains sail the coast. Although the girl is not a kick-boxing super-stud like JCVD, she functions quite well as bait.
JCVD's scenes are intercut with flashbacks that show his motivation. He has a personal grudge against the Pirates, since they once ruined his happy-ever-after with a torture scene out of a spaghetti western.
Although Cyborg has a low budget, as to be expected with a Golan Globus production, the camerawork makes it look better than it deserves. Director Albert Pyun delivers an impressive action movie, a post-apocalyptic Western with martial arts fights instead of shootouts. After all, without factories to make new ammunition the scavengers would eventually have to ditch guns and adopt swords instead. Revolution continued that idea to its natural end, with the villains adopting US Civil War-era weapons and tactics.
This owes a lot more to Blade Runner than it does to the original Cyborg film with Jean Claude Van Damme. Jack Palance ( Hawk the Slayer ) steals the show with his supporting role.
Lots of cliches start to crop up. The Rock is kill-crazy. The only reason that the hero does not have the female lead as his love interest is that she is his sister. What sets this apart from other monster-movie shoot-‘em-ups like Resident Evil (also based on a computer game) is the references to the original source material. The Rock’s goal is to find and use the B.F.G. (Big Force Gun). There is a brief sequence where the movie’s format becomes first-person shooter, like the game itself.
A group of space marines awaken in their crypto-sleep pods. Yes - not CRYO-sleep, which would be cryogenic, but CRYPTO-sleep as in secret. They are not as memorable as the team in Aliens (1986) , but we can certainly see what inspired them.
This is a remake of a movie about a First Person Shooter video game that drew heavily on tropes from a sub-genre of 1980s films. As a result, there is very little that is original about it. Worse, this seems to have been made on a TV show's budget. Unfortunately the director was unable to save it. Everything seems to be shot in medium frame, which leads onto yet another comparison with a TV show. Similar genre movies, such as the original Resident Evil (2003) , do a much better job of raising suspense.
The result is the Canadian version of Machete , the far superior Robert Rodriguez film that shares its origins as a trailer in Grindhouse .
Years later Machete is in Texas, where Federal Agent Jessica Alba is hassling Michelle Rodriguez for helping illegal immigrants. Corrupt businessman Jeff Fahy ( Lost ) hires Machete to kill an anti-immigration Senator (Robert DeNiro - Mary Shelley's Frankenstein ). However, it is a double-cross. Machete is framed, on the run ...
Rodriguez's writing can be overly self-indulgent, for example in his third Mariachi film Once Upon A Time In Mexico . But this is deliberately OTT, like Planet Terror . There are lots of deliberate mistakes, and the climax is completely OTT.
Machete has blundered into a much bigger case. He is hired by the US President - played by a newcomer named Carlos Estevez, who is the spitting image of Martin Sheen in The Dead Zone . POTUS gives Machete a CIA handler ( Amber Heard ), who sends him off to rescue a hooker held prisoner by Sofia Vergara and her sidekick Alexa Vega .
Just as in the original film, this is a parody that encompasses many cliches of action movies. As such, there is no point in applying logic to the plot.
After Thanksgiving dinner with family, the Sheriff (Patrick Dempsey - ) and Gina Gershon go to the Black Friday sale at the local supermarket. Unfortunately the frustrated shoppers start a riot, with multiple fatalities.
A year later, someone dressed as a 1600s Pilgrim starts killing off the survivors in a series of graphic, OTT murder scenes. The Final Girl is the daughter of Mr Wright (Rick Hoffman - Hostel ) and his new wife Kathleen ( Karen Cliche ), the owners of the supermarket where the massacre happened.
The killer's garb may be historical, but his methods are 21st century. He sends threatening texts and pictures to his victims, and even live-streams things to taunt the Sheriff. His victims are selected from a phone video of the riot that was posted online, where they are tagged by friends and facial recognition software.
Roth does a good job, delivering a slasher with lots of imaginative kill scenes. The tone borders on comedy, but is not as OTT as the classic Machete series.
Basically, an undercover mission goes badly wrong. Ethan Hunt (Tom Cruise - Legend ), sole survivor, is the obvious suspect. He must go on the run, and recruit a new team of expert spies to save the world, without backup. They must break into the CIA's most secure data vault and steal the NOC list - a reliably lo-tech mcguffin more recently used in the James Bond effort Skyfall .
In a 1990s update to the old cliche, the climax is not aboard the Orient Express but the Eurochunnel train.
Ethan Hunt (Tom Cruise - Legend ) and his team of expert spies have to save the world, without backup. Luckily Hunt can rely on:
The villain is the bad guy from the Swedish adaptations of the Millennium books. He is no longer a communist who wants to destroy society, he is a Nihilist who wants to destroy the world! His plan is to trick the USA and Russia into starting a nuclear war with each other. Just like the Bond villains of outdated Cold War movies ( The Spy Who Loved Me, You Only live Twice ). Yes, this is an updated version of a 1960s plot.
Ethan Hunt (Tom Cruise - Legend ) is framed and disavowed, so he cannot use the IMF's infinite resources to save the day. He and his team of expert spies have to save the world, without backup.
A top spy with world-class IMF-style training has gone rogue, and only Ethan Hunt can stop him. Ethan is still the IMF’s top field agent, despite being only five years younger than Jim Phelps (Jon Voight – Tomb Raider ) was in the first film twenty-ish years ago. Not only has Ethan passed the age of retirement from field duty, he was a trainer and then he actually retired in the third film. What the heck a middle-aged fifty-something man is doing on the front line is never adequately explained.
A beautiful lady spy helps Ethan, but her loyalties are unclear. This time it is Rebecca Ferguson , a relative unknown who does the Sidney Bristow stuff from Alias . She is the best sight in a thigh-slit dress since Maggie Q a couple of movies ago. She is twenty years younger than Cruise, though she has not aged as well.
The villain wants something that is locked in an impregnable vault, so Ethan must steal it for him. The villain uses one of Ethan's friends as leverage and gets Ethan to hand it over.
Those pretty much happen in all the other movies. What do you want to bet that this film has exactly the same story?
The villain, Solomon Lane (no, not Solomon Kane ) has a creepy English accent. In Hollywood movies this is shorthand for villainous and should not indicate any particular country, but there are only five superpowers (permanent members of the United Nations Security Council) and when you rule out Russia, China, France and the USA then there is only one left. Another clue – the film’s title (MI-5) is also the name of a certain counter-intelligence agency ...
There are a number of unanswered questions. Why does The Syndicate run around committing acts of global terrorism? Who is funding them, since the goal of their mission is to access a specific supply of funds? After all, this is basically the storyline of Swordfish - which ironically was pulled from cinemas in its final week because of the destruction of the World Trade Centre on 9/11. Where did a government dedicated to financial austerity get thousands of millions of dollars to spare, and how did a relatively small government agency get that money into its off-the-books black-ops budget?
Finally, the UK Prime Minister is repeatedly referred to as the PM of Great Britain (with no mention of Northern Ireland) ... one would have hoped that a film largely shot in the United Kingdom of Great Britain and Northern Ireland would get small details like the name of the country correct!
This is a direct follow-up to the previous film, the events of which still haunt Ethan Hunt. He is hanging out in Belfast when the exposition tape arrives.. To blend in, the courier has adopted what sounds like an American attempt at a Dublin accent.
The briefing includes exposition of the aftermath of the previous film. Finally we have a movie in the series where consequences have actions. The antagonist of the previous film, Solomon Lane, is now portrayed as an anarchist. His Rogue Nation, formerly called The Syndicate, has now become a group of nihilists called The Apostles.
Hunt has a small team to help him this time. Just his two nerds, in fact - Edgar (Simon Pegg - Shaun of the Dead ) and Luther (Ving Rhames - Guardians of the Galaxy 2 ). This is rounded out when he gets partnered with over-eager CIA goon Walker (Henry Cavill - Man Of Steel ).
Normally Ethan and his team get disavowed. Once it was by the old CIA Director (Alec Baldwin - ), who is now the Secretary of State who Ethan works for. This time it is the new CIA Director ( Angela Bassett ) who gets suspicious that Ethan might be a traitor. How many times can a man be accused of treason by his bosses before he gets so sick of it that he actually becomes a traitor for real?
The all-male good guys need more gender diversity on their team. Luckily, Ilsa Faust ( Rebecca Ferguson ) from the previous film is still around. In the modern days of woke male feminism, this might be portrayed as a form of gender equality. The truth is that it is just another rehash of tired old tropes. The ass-kicking female secret agent is basically a femme fatale. Ethan's other love interest, his ex-wife ( Michelle Monaghan ), is basically a damsel in distress. But the thing is, the film works perfectly well anyway. Those tropes and archetypes fulfill important functions in story-telling.
The villain is Solomon Lane's former sidekick. His plan is to bring about nuclear armageddon. Shockingly, he might actually have a good reason for doing this.
The key is in the hands of Ilsa Faust ( Rebecca Ferguson ), so Kittridge sent Ethan Hunt (Tom Cruise - Legend ) to recover one half of the key. Rather than hand it over, Ethan decides to go rogue yet again. He gets his old buddies Luther (Ving Rhames - Guardians of the Galaxy 2 ) and Benji (Simon Pegg - Star Trek ) to help him go after the second half.
The trio run into trouble. Grace ( Hayley Atwell ), a master-thief, has been hired to retrieve the key. The White Widow ( Vanessa Kirby ) wants to auction it to the highest bidder. Worse, Gabriel (Esai Morales - Caprica ) and his hench-person Paris ( Pom Klementieff ) are after it because they work for the Entity itself. Finally, Kittridge has sent Briggs (Shea Wigham - Agent Carter ) and a team of agents to obtain the key and capture or kill Hunt.
What makes the Entity so powerful is its ability to gain and process information. It can access background files on everyone, determine who is most likely to harm it, then electronically deliver audio or visual disinformation targetting that person. In other words, the IMF have to go analogue to escape its influence.
This film has a lot of callbacks to the first film. Kittridge is back, and spends most of his time delivering tedious exposition that seems incredibly heavy-handed. Gabriel is Hunt's arch-nemesis, a mentor who killed Hunt's love interest and set him down the path of leading the IMF. In the original, Kittridge met the White Widow's mother on the Eurostar train in the Channel Tunnel: in this one, he meets the Widow on the Orient Express.
The movie is self-contained, and does not end on a cliffhanger, but also sets up the storyline for the second movie. It seems that Part 2 will be the last of the series, not just because of the callbacks but since Cruise is beginning to look his age.
The zone chosen to test the theory is Staten Island, New York City. It has a working class community of African Americans, exactly the kind of people that the New Founding Fathers want to murder. We spend the first half of the movie getting to know some of the locals. The female lead is a tough protestor who opposes fascist government. The male lead is a tough gangster who controls the local drugs cartel. Yes, lots of cliched characters.
The night starts off easily enough. Naturally, people take advantage of the lawlessness to have a good old-fashioned street party. However, all it takes is one violent scumbag to ruin things for everyone else. In this neighbourhood, the worst dude is a tattoo-faced junkie who has given himself the nickname of Skeletor. He is the one who thought up the name The Purge, and he is also the one who makes the first kill of the night.
The Founding Fathers decide to up the ante. They unleash a group of mercenaries and white supremacists, who are clad in Klu Klux Klan regalia and racist black-face masks. Luckily the black gangsters are on the warpath. Just like in the 1970s blacksploitation movies, we discover that one black man can take out three or four heavily-armed whites with the greatest of ease. Yes, this turns from a though-provoking drama about the corruption of society into a shoot-em-up action movie with no introspection.
Ethan Hawke ( Gattacca ) and Lena Headey live in a nice, remote suburb with their cliched teenage offspring - the sexy schoolgirl daughter and the tech-nerd son. Unfortunately they have a couple of unexpected visitors, and end up being besieged by an updated version of Alex and the Droogs from A Clockwork Orange .
The real gut-wrenching scenes are not the conflict with the Droogs. It is when the veneer of middle-class suburban civilisation is stripped away, and the protagonists try to placate the villains by torturing a homeless man.
The political subtext of the film is an indictment of wealthy people who choose to Purge - even though it benefits poor people. An urban revolutionary (Michael K Williams - Flash Forward ) wants to protect the poor from this murderous system.
A small group of people band together, trapped on the streets of a city where the inhabitants have gone feral for the night. As well as gang-bangers on the prowl, they also have to escape the conspiracy's SWAT team. Luckily, one of the good guys is a Special Forces soldier with all the necessary combat gear. Of curse, this means he is Purging too ...
What is most shocking about the concept of the Purge is that when murder is decriminalised, every grudge (including domestic disputes) becomes murderous. Is law (and fear of prosecution) the only thing that prevents everyone from becoming a killer?
Mykelita Williamson ( The Final Destination ) is a shopkeeper in a deprived part of town that is a short walk from the Senator's mansion. He and his employees decide to help the Senator. After all, the murder-squad on her tail are White Supermacists.
An anti-Purge revolutionary is also in town for Purge night. This character seems to be based on the one played by Michael K Williams ( Flash Forward ) in the original. Presumably Williams was unable to participate in this film because he was too busy appearing in Ghostbusters (2016) .
The story is a case of white middle-class liberals and the black working class taking on the white aristocracy and white working-class extremists of America. Yes, the politics are very heavy-handed. The Liberal female Senator is obviously a reference to Hillary Clinton, while her religious fundamentalist opponent could be any one of the Republican candidates.
Ten months later, the immigrants are working on a Texas horse-ranch owned by Dylan Tucker (Josh Lucas - Hulk ), his pregnant wife Cassie ( Cassiday Freeman ) and father Caleb (Will Patton - Punisher ). While the Purge was ended by the previous administration, now it is back again. The usual rules apply, so all the families shelter in secure areas while the Purgers spend the night on the rampage.
The real story starts the morning after the official end of the Purge. It turns out that the White Working Class is on the warpath. They stage a class uprising, combining white nationalism with socialism. Yes, that is exactly what it looks like. Although the upper class send in the military, the poor whites have the upper hand. Class war is portrayed as race war, because of how divided American society is.
The Latinos, with the Tucker family as the token good whites, must fight their way to freedom. Now they have to journey south, in a reverse of the illegal immigration trope.
As action movies go, this is pretty sub-par. The fight scenes are mostly shot in extreme close-up, and multiple flashy editing cuts are the new equivalent of shakeycam. Well, presumably the Director left it to the Second Unit while he himself concentrated on the more subtle aspects of the plot. Unfortunately the plot lacks subtlety the same way that the action scenes lack thrills. The villainous Purgers embody hate, fear and violence while the Liberals and POCs are portrayed as the True Americans (tm).
Our hero, with Olivia Wilde , must re-enact the first film (but with updated 3-D SPFX). Pure style over substance, nothing original here.
The UN sends in US Special Forces and UniSols. Unfortunately everyone (terrorists and Merkins alike) uses crap tactics - the regular forces stand in the open and wait to get shot, while the UniSols split up and wait to get picked off one at a time.
Meanwhile, Luc Devereux (Jean-Claude Van Damme - Replicant ) is the last of the original Vietnam-era UniSols. He is undergoing therapy, but gets re-activated.
The villains also have a Dolph Lungren ( View To A Kill ) clone. Lots of fight scenes ensue.
This is the fifth film in the series - it shows how far the stars have sunk, that they will now do this again.
However, an Agency of the US Federal Government is sending assassins after the UniSols. Since only a super-powered soldier can take on the UniSols, the Government hit-men are basically the next generation of cloned Unisols. The protagonist is Scott Adkins ( Accident Man (2018) ), who is not a big name yet but is basically the new JCVD.
A few years later, Jack Robideaux (Jean Claude Van Damme - Hard Target ) joins the Border Patrol in Arizona, USA. His new boss, Captain Ramona Garcia ( Natalie J. Robb ), is a ball-buster who also gives the movie some feminine glamour when she is out of uniform.
Robideaux's backstory is that he was a detective in the New Orleans police. That said, he is also a martial arts expert and displays a very particular set of skills - to quore Liam Neeson in Taken . He is on a revenge quest against Karp's unit, who have retired from the US military and now work as mercenaries protecting a Mexican drug cartel. This particular cartel's area of operation is the border where Robideaux's new unit is assigned to patrol.
The setting is Arizona, but this was actually filmed in Bulgaria. This certainly explains why they hired a Scottish actress to play the Latina boss.
In the climax, Robideaux's motivation is revealed. Does it tie in with the killings shown in the prologue? Or is it just a cliched storyline about a tweenage daughter who accidentally overdosed on drugs?
Unfortunately, a rival assassin named Vincent Brazil (Jean-Claude Van Damme - Universal Soldier: Day of Reckoning (2012) ) is also out to fulfill a contract on the gangster. The two killers have to team up against the common foe.
The interesting thing this movie offers is an upgraded version of the gun platform from The Jackal (1997) . While that version was manually assisted, this one is semi-automated. A nice sci-fi gadget for what would otherwise be a standard kickboxing thriller.
Wheeler's last mission involved a hard drive that an enemy force will pay millions to get hold of. Since Wheeler is believed to be a traitor, the CIA wants him to reveal the drive's location. Wheeler's boss, Rhodes (Al Sapienza - ), comes aboard to oversee the interrogation.
Wheeler must not only escape the inescapable prison, but also clear his name and discover the real traitor. The cast lineup implies he teams up with Marco, like the Stallone/Schwartzenegger team-up in Escape Plan . However, most of the time Wheeler is stuck with a rookie agent - a hot young female half his age. At least Marco actually gets to do something in the Third Act.
This is a good premise for a story, although if it were just Die Hard-on-a-submarine it would get boring quite quickly. Under Siege already did that on a battleship decades ago, so this does not have much to offer in comparison. It also has a few aspects of Lockdown , another far superior film. Perhaps the problem is that although the movie has the perfect premise for a ban on guns aboard the submarine, which would be ideal for martial arts stars like Van Damme and Lundgren, this is basically a series of shoot-outs. The Seagal movie has to go out of its way to justify its martial arts scenes, while this one has a built-in justification which it happily ignores. Small wonder that Under Siege is a genre classic while this is a little-known B-Movie.
After six months in San Quentin maximum security prison, our hero gets recruited by Sam Ramsey (Dermott Mulroney - Scream VI ). Ramsey runs Section Eight, a US Government black ops unit that performs deniable operations. One of the targets is a US politician who wants to take back the country and promises that this election will not be stolen. This makes the moral line a bit blurred - the politician is clearly a villainous bigot, but the people who oppose him are somehow meant to be worse.
As well as his personal team of thugs, Ramsey also has a direct line to supposed world-class hit-man Leonard Locke (Scott Adkins - Accident Man ). Our intro to Locke shows off Adkins' skills, and makes him an obvious pick for the next James Bond. Although he is only a few years younger than Idris Elba ( 28 Weeks later ) he still looks a lot younger than Elba or Daniel Craig.
Atherton finds that his storyline, which already veered from revenge to straightforward action-adventure, is now complicated by double-cross after double-cross. This series of complications helps drag out the third act, until we get the final confrontation.
Mike's ex-girlfriend is murdered. He must team up with her lesbian lover ( Ashley Greene ) to solve the crime and punish those responsible.
This story was written over 25 years ago, circa 1992. Back then, Social Justice Wankers were just called Politically Correct. Although the writer, Pat Mills, had a major Social Justice agenda dating back to the 1970s he was also an incredibly skilled and experienced comic-book writer. As a result the protagonist is a regular guy with normal everyday habits. In other words, the writer created a character rather than just insert himself and his agenda into the story.
Mike's old friend from England drops by, on a side-quest to find his lost love interest. The two men team up to do a lot of contracts, which Mike gets on a tinder-like phone app.
One contract that Mike turns down is on the idiot son of the local Mafia godmother. When someone else takes the contract instead, Mike is called in to help. He has to protect the target by taking out any assassins who come after him. Unfortunately the bounty is so massive, five of the best killers in the world take the contract.
The original story was part of an on-going comic-book series. This movie version is an original story, but it builds well on the established world. Adkins delivers a great performance, giving us a likeable character and lots of humour.
Gruner tries to resign. However, LAPD goons Tim Thomerson ( Trancers ) and Brion James ( Alien Mine ) force him into a secret mission to Java. He meets some other cast members who are slumming it, in more ways than one. Deborah Shelton from Dallas looks like she has become a weight-lifter, and Thomas Jane ( Deep Blue Sea ) has a small part - no pun intended.